ALEX BUEHLER | COMPOSER
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    • COMPOSITIONS >
      • Small groups/Solos >
        • Impulse|Resonance (2019)
        • Obsolescence (2019)
        • and is Meet) Twain (2019)
        • and the (and East, (2019)
        • Cardiac Cycle (2013)
        • East is West, Twain (and Never is (2019)
        • East, Never and (2019)
        • East, West (and Never West, (2019)
        • is East East, (and Shall (2019)
        • is Never the Meet) West, (2019)
        • Meet) East (2019)
        • Meet) West, is is (2019)
        • Shall is East the (2019)
        • the Shall is (2019)
        • Twain (and (2019)
        • West, West is (2019)
        • Coffee Grows on Black Sheep (2018)
        • GESTALT (2018)
        • Virga Rumination (2018)
        • Z/28 (2018)
        • Sunrise: Mind-Numbing Day of Noise (2017)
        • String Quartet No. 1: Dahlia Math Jar (2017)
        • Ethereal Remission (2013)
        • Shaula: The Sting of Scorpius (2014)
        • Comfortless Sepulchral (2012)
        • Sibilant Entree (2012)
        • Nash Aswada (2011)
        • Double Entendre Du Jour (2011)
        • All Living Things Have Shoulders (2011)
      • Electroacoustic >
        • Obsolescence (2019)
        • and is Meet) Twain (2019)
        • East, West (and Never West, (2019)
        • Shall is East the (2019)
        • GESTALT (2018)
        • Coffee Grows on Black Sheep (2018)
        • Virga Rumination (2018)
        • Shaula: The Sting of Scorpius (2014)
        • Ethereal Remission (2013)
        • Highway Jalopy (2013)
        • Cardiac Cycle (2013)
      • Vocal >
        • Dream Spaces (2013)
        • Sibilant Entree (2012)
      • Wind Band >
        • Broken Rain Machine (2016)
        • Maruawe Mo'Obetu (2011)
        • Sparkle (2015)
      • Orchestra >
        • East is East, West is West, (and Never the Twain Shall Meet) (2019)
        • Transubstantio-Spatial Shrine (2018)
        • l'Appel du Vide (2016)
        • Misgabbi, Yisi, Maginni, Suri, Eli (2012)
      • Jazz >
        • Ghost of Tom (2017)
        • Me and Miss Mary (2013)
        • Epistrophy (2011)
        • Lament (2011)
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Alex Buehler earned his BME and BM in Composition at Colorado State University and his MA in Music Composition from the University of North Texas. At CSU he studied trombone with Greg Harper, principal bass trombonist of the Colorado Symphony Orchestra, and composition with Dr. James David. During his time at UNT Alex studied composition with  Drs. Joseph Klein and Kirsten Broberg, and electronic music with Dr. Jon Nelson. Currently, Alex is pursuing a PhD in Music Composition at SUNY-Buffalo.

Alex has had his works performed by the Fort Worth Symphony Orchestra, CSU Percussion Ensemble, CSU Concert Band, Webber Middle School, The Ralston Valley High School Chamber Orchestra, Harpist Rachel Ellins, Oboist Elizabeth Sullivan, the NewEar Ensemble, Violist Michael Hall, soloists and chamber ensembles at UNT, and the UNT Lab Bands. Alex’s Music has also been performed at the Electric LaTex Festival, Charlotte New Music Festival, International Trombone Festival, and CEMIcircles International Festival of Experimental Music and Intermedia.
 I like that way [Alex] use minimalist techniques, without being a "minimalist."... the long pattern based sections that slowly shift. [His] sense of harmonic stasis and variety is nicely fine-tuned. Just when I want harmonic change, [he]  give(s) it! there is also...great orchestration...and shaping of sound! [Alex's] sonic Imagination is vivid and really invites me in to an unfolding landscape. [His] breadth of harmonic language is nice and expansive. From single tones, to triads (diatonic) and more extended sound masses.   
                                  -Paul Rudy, Curators' Professor of Music Composition, University Missouri-Kansas City Conservatory
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